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An artwork, according to the definition of Monroe Beardsley, is a complex arrangement of conditions that is capable of affording an aesthetic experience. Its definition is part of the Deweyan concept of art, which is to say that an artwork should be both complete and intense. The definition of art is contested, but the general notion that it is something that is made to be viewed is valid.
Artists create artworks in many ways, including drawing, painting, and photography. Photography, for example, can be created using a film camera or a digital or Polaroid camera. Many artworks are associated with art movements, which have specific goals and philosophies. For example, Claude Monet’s paintings are associated with the Impressionist movement. There are hundreds of different art movements throughout history, and each one has its own unique purpose.
An earlier cluster theorist defines artworks as any artform that has aesthetic value. This definition is inconclusive, since it does not include all forms of art. However, the list of properties that are required for an artwork is incomplete, and it stresses the heterogeneity of the class. Furthermore, it construes aesthetic qualities narrowly.
Kristeller’s 1951 definition of art does not have a fixed, arbitrary, or a universal definition. In fact, it is more a collection of overlapping characteristics. However, there is a good chance that it is not a complete or comprehensive definition. It may be a good example of the overlapping nature of art.